The exhibition brings together generations of artists from the Vietnamese diaspora in France, exploring memories of Vietnam shaped by migration, exile and inheritance. Through diverse media, their works move between personal histories and collective narratives, questioning ideas of origin, belonging and return. Đoàn Tụ, the third chapter of a project initiated by Lune rougissante, proposes a shifting portrait of Vietnam beyond geographical borders.

Paroles brings together Camila Rodríguez Triana, Hằng Hằng, Huỳnh Công Nhớ, and Trọng Gia Nguyễn, in a layered exploration of language, memory, and transmission. The exhibition traces how speech moves across painting, ritual, performance, and archive.

Richie Nath was born twice: once in Yangon, and again in Paris. Since leaving Myanmar in the aftermath of the 2021 coup, he has come to understand what it means to both produce and undo himself. The displacement opened a distance from his mother, one he had not known before, though her presence continues to structure his sense of self.

As the emotional and hierarchical order between mother and son began to fracture, the possibility of self-recognition emerged. His first self-portrait Where Are You?, painted in 2023, does not resolve this rupture but marks its beginning. In this first solo exhibition in Paris, An Oyster Without a Pearl, the artist explores identity, migration, and his complex relationship with his mother through painting drawings and mis-en-scène.

Hà My Nguyễn transforms the gallery into a ceramic garden of mystical, hybrid plants. Her delicate sculptures, inspired by marginalised botanical knowledges and the resilience of femininity, invite viewers into a world where nature and imagination intertwine.

How to Waterboard a Tech Bro is Trọng Gia Nguyễn’s first solo exhibition in Paris, presented by Galerie Bao, examining power, technology, and political absurdity through digital art, painting, and conceptual installations rooted in contemporary socio-political critique.

Traveling with guerrilla units in the 1960s–70s to document the front line of the Vietnamese resistance in the Cà Mau region, Võ An Khánh (1936–2023, Vietnam) was tasked with upholding the vision of collective socialist struggle, yet his images often dwell on unexpected moments of stillness, distinctly blurring the boundaries between art and militancy, documentary and spectacle.

Nguyễn Duy Mạnh - First Bone, Then Skin… - his first solo exhibition in Europe. The exhibition brings together two seminal bodies of work: Hồn Xiêu - Phách Lạc (Wandering Souls - Lost Spirits) - the haunting ceramics banquet, part of which currently on display at MASS MoCA (Massachusetts) - and Những Vết Thương Hở (Bare Wounds), a new series of cobalt-blue and sanguine ceramics created for Paris. Together, they reveal the artist’s singular vision: clay as a living body that bears scars, memory, and resilience. Combining stylistic glaze patterns from Chu Đậu ceramics –– its production began in the 13th century in Nam Sách county to the east of Hanoi, before declining in the 17th century –– and the kiln techniques of Bát Tràng village –– a craft village in Hanoian suburb, famous for its vibrant ceramics, he creates uniquely molded and carved pieces.

Born and raised in Vietnam, Hang Hang studied scenography at the École nationale supérieure des Arts Décoratifs in Paris. Her practice blurs the boundaries between performance and installation, weaving together micro-histories and oral traditions. Galerie Bao is proud to present Hang Hang’s first solo exhibition.

Gallery Medium and Galerie Bao are pleased to present Mắt Nhớ (The Gaze That Remembers), the first solo exhibition in Vietnam by artist Huỳnh Công Nhớ, following a series of acclaimed showcases in Paris last year.

Perhaps, memories are like filaments. A combination of contrasting characteristics, they can be fleeting yet persistent at the same time…

Untamed Souls, featuring artists Trương Công Tùng and Nguyễn Duy Mạnh, brings together two contrasting practices and calls into question "earth" in all its physical, historical, and cultural implications.

Fugitive Zone at Galerie BAQ marks the artist’s first solo exhibition in the heart of Paris, declaratively claiming space for a burgeoning of the My Land project beyond its former boundaries.

Rather than a replacement, a drop of serenity showcases these filmmakers' practice when their minds are most at peace; their art, but in another dimension. The exhibition, without fear, emphasizes the significance of leisure, a concept that has almost become a rarity in the contemporary art world with its frequent art fairs and international exhibitions occurring back to back.

Tropical Hallucinations is a two-part exhibition presented in two different locations, much like two islands in an archipelago - the main geo-culture of Southeast Asia - geographically separate but still closely related.