Exhibition
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Hors-les-murs
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Other events
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Exhibition · Hors-les-murs · Other events ·
Dirty & Disorderly: Contemporary Artists on Disgust
In Dirty & Disorderly: Contemporary Artists on Disgust, Anna Ting Möller, New Red Order, and Nguyễn Duy Mạnh use the aesthetics of disgust to understand the social construction of putrid and squalid things. The exhibition is curated by Riley Yuen.
Nguyễn Duy Mạnh: First Bone, Then Skin...
Nguyễn Duy Mạnh - First Bone, Then Skin… - his first solo exhibition in Europe. The exhibition brings together two seminal bodies of work: Hồn Xiêu - Phách Lạc (Wandering Souls - Lost Spirits) - the haunting ceramics banquet, part of which currently on display at MASS MoCA (Massachusetts) - and Những Vết Thương Hở (Bare Wounds), a new series of cobalt-blue and sanguine ceramics created for Paris. Together, they reveal the artist’s singular vision: clay as a living body that bears scars, memory, and resilience. Combining stylistic glaze patterns from Chu Đậu ceramics –– its production began in the 13th century in Nam Sách county to the east of Hanoi, before declining in the 17th century –– and the kiln techniques of Bát Tràng village –– a craft village in Hanoian suburb, famous for its vibrant ceramics, he creates uniquely molded and carved pieces.
Mangrove Theatre: The Wartime Photography of Võ An Khánh
Võ An Khánh (1936–2023, Vietnam) is renowned for his black-and-white photographs of the American-Vietnam War, capturing both frontline life and human resilience. Traveling with guerrilla units in the 1960s–70s, he staged exhibitions in mangrove forests under extraordinary conditions. His iconic works, including Mobile Military Medical Clinic and Extra-curriculum Political Science Class, have since been exhibited internationally, from the International Center of Photography (New York) to the Carnegie Museum of Art (Pittsburgh) and the National Gallery Singapore.
Finissage of “Tales Without Time – Poetry of Storytelling”
As part of the closing of the group exhibition Tales Without Time – Poetry of Storytelling at Galerie Zink, Paris-based gallerist and curator Le Thien-Bao will prepare a traditional Northern Vietnamese Phở—Vietnam’s beloved noodle soup—inviting guests to share a moment of warmth, connection, and conversation.
Hằng Hằng: The reason is a dog. The reason is a flower
Born and raised in Vietnam, Hang Hang studied scenography at the École nationale supérieure des Arts Décoratifs in Paris. Her practice blurs the boundaries between performance and installation, weaving together micro-histories and oral traditions. Galerie Bao is proud to present Hang Hang’s first solo exhibition.
Vernissage // Hằng Hằng: The reason is a dog. The reason is a flower
Galerie Bao reopens its doors at 49 avenue Parmentier with the inaugural exhibition “The Reason Is A Dog. The Reason Is A Flower.” by Vietnamese artist Hằng Hằng. Known for her poetic performances and immersive installations, the artist transforms memory and intimacy into shared landscapes where language, place, and time intertwine. The exhibition runs from 12 September to 4 October 2025 — with free entrance.
Vita Contemplativa
Vita Contemplativa presents works by César Cuspoca, Camila Eslava, Camila Rodríguez Triana, as well as a collaborative piece by artists Violeta Cruz and Léo Lescop.
Deeply personal, both in its intent and in its choice of invited artists, this exhibition honors art as a ritual: a silent celebration of what endures and what fades away. The exhibition is curated by Sandrine Prévost-Servent.
Tales Without Time - The Poetry of Storytelling
Marking the first collaboration between Galerie Zink (Waldkirchen) and Galerie BAO (Paris), the exhibition explores storytelling as a vessel for memory, myth, and cultural identity. We bring together Rosilene Luduvico, Thao Nguyen Phan, Camila Rodríguez Triana, and Trương Công Tùng—four international artists whose practices span film, installation, painting, and textile art. Together, they offer sensorial and poetic responses to the complexities of time, creating works that do not merely narrate, but unfold, resonate, and echo.
Huỳnh Công Nhớ: The Gaze That Remembers
Gallery Medium and Galerie Bao are pleased to present Mắt Nhớ (The Gaze That Remembers), the first solo exhibition in Vietnam by artist Huỳnh Công Nhớ, following a series of acclaimed showcases in Paris last year.
Trương Công Tùng: Day Wanes… Night Waxes
This solo exhibition will present Trương Công Tùng’s newest artworks in the prestigious Hamburger Kunsthalle, with the support of the Philipp Otto Runge Foundation. With research interests in science, cosmology, philosophy, and the environment, Trương Công Tùng works with a range of media, including video, sculpture, painting, and found objects, which reflect personal contemplations on the cultural and geopolitical shifts of modernization, as embodied in the morphing ecology, belief, or mythology of a land.
Art talk | Dirty & Disorderly: Contemporary Artists on Disgust
How do artists use the aesthetics of disgust to challenge social norms? Disgust has been interpreted as an evolutionary tool of survival to create distance between ourselves and that which may harm us, particularly foods. In their work, Nguyễn Duy Mạnh, Anna Ting Möller and New Red Order confront the putrid and the squalid, questioning the boundaries of taste, culture, and perception.
Echoes of Silence: The Art of Huỳnh Công Nhớ
Galerie BAO and Poussières de Vie proudly present Echoes of Silence, a solo exhibition by Huỳnh Công Nhớ, a self-taught artist whose work bridges the realms of painting and cinema.
Ca Lê Thắng: Beneath Deep Rivers, Fields Submerged
At 75 years old, Ca Lê Thắng appears to be in the prime of his creative career. From 2021 to 2023, he held two critically acclaimed solo exhibitions in Hanoi and Ho Chi Minh City, featuring his series: Floating Season. Both events received widespread recognition and praise from the art professionals...
Trương Công Tùng: The Disoriented Garden..., A Breath Of Dream...
Museion has joined five partner-institutions in Southeast Asia as part of the selection committee of the Han Nefkens Foundation – Southeast Asian Video Art Production Grant, an initiative launched by the private collector Han Nefkens to increase contemporary artistic production in the video art field.
Lêna Bùi: Blue Filaments
Perhaps, memories are like filaments. A combination of contrasting characteristics, they can be fleeting yet persistent at the same time…
Tôn Thất Minh Nhật, Tuyền Nguyễn: Entrusting to Emptiness
Organized by Wiking Salon and Galerie BAO, “Entrusting to Emptiness” (Kỳ Thác Hư Không) is a duo exhibition featuring more than 25 works by artists Tôn Thất Minh Nhật and Tuyền Nguyễn. These series of silk and lacquer paintings make up two different segments of the exhibition, where the audience will find themselves following the traces of movement, memory and heritage.
Nguyễn Duy Mạnh, Trương Công Tùng: Untamed Souls
Untamed Souls, featuring artists Trương Công Tùng and Nguyễn Duy Mạnh, brings together two contrasting practices and calls into question "earth" in all its physical, historical, and cultural implications.
Hà Ninh Pham: Fugitive Zone
Fugitive Zone at Galerie BAQ marks the artist’s first solo exhibition in the heart of Paris, declaratively claiming space for a burgeoning of the My Land project beyond its former boundaries.
Panel discussion: The dynamic of relationships between artists, galleries and institutions
Continuing the 'Surviving in The Art World' talk series, we present the Talk: “The dynamic of relationships between artists, galleries and institutions”. This conversation raises the eternal question about the connection of different actors in the art network.
A Drop of Serenity
Rather than a replacement, a drop of serenity showcases these filmmakers' practice when their minds are most at peace; their art, but in another dimension. The exhibition, without fear, emphasizes the significance of leisure, a concept that has almost become a rarity in the contemporary art world with its frequent art fairs and international exhibitions occurring back to back.
Tropical Hallucinations
Tropical Hallucinations is a two-part exhibition presented in two different locations, much like two islands in an archipelago - the main geo-culture of Southeast Asia - geographically separate but still closely related.
There is no lonesome wave
Part of the POUSH "bureau des penseur.euses" (thinkers office) came together to imagine under the Coupole, There is no lonesome wave, a group exhibition on the subject of water, its currents and its properties, both literal and figurative.