How do artists use the aesthetics of disgust to challenge social norms? Disgust has been interpreted as an evolutionary tool of survival to create distance between ourselves and that which may harm us, particularly foods. In their work, Nguyễn Duy Mạnh, Anna Ting Möller and New Red Order confront the putrid and the squalid, questioning the boundaries of taste, culture, and perception.

Galerie BAO and Poussières de Vie proudly present Echoes of Silence, a solo exhibition by Huỳnh Công Nhớ, a self-taught artist whose work bridges the realms of painting and cinema.

Continuing the 'Surviving in The Art World' talk series, we present the Talk: “The dynamic of relationships between artists, galleries and institutions”. This conversation raises the eternal question about the connection of different actors in the art network.