Nguyễn Duy Mạnh - First Bone, Then Skin… - his first solo exhibition in Europe. The exhibition brings together two seminal bodies of work: Hồn Xiêu - Phách Lạc (Wandering Souls - Lost Spirits) - the haunting ceramics banquet, part of which currently on display at MASS MoCA (Massachusetts) - and Những Vết Thương Hở (Bare Wounds), a new series of cobalt-blue and sanguine ceramics created for Paris. Together, they reveal the artist’s singular vision: clay as a living body that bears scars, memory, and resilience. Combining stylistic glaze patterns from Chu Đậu ceramics –– its production began in the 13th century in Nam Sách county to the east of Hanoi, before declining in the 17th century –– and the kiln techniques of Bát Tràng village –– a craft village in Hanoian suburb, famous for its vibrant ceramics, he creates uniquely molded and carved pieces.

Born and raised in Vietnam, Hang Hang studied scenography at the École nationale supérieure des Arts Décoratifs in Paris. Her practice blurs the boundaries between performance and installation, weaving together micro-histories and oral traditions. Galerie Bao is proud to present Hang Hang’s first solo exhibition.

Gallery Medium and Galerie Bao are pleased to present Mắt Nhớ (The Gaze That Remembers), the first solo exhibition in Vietnam by artist Huỳnh Công Nhớ, following a series of acclaimed showcases in Paris last year.

Perhaps, memories are like filaments. A combination of contrasting characteristics, they can be fleeting yet persistent at the same time…

Untamed Souls, featuring artists Trương Công Tùng and Nguyễn Duy Mạnh, brings together two contrasting practices and calls into question "earth" in all its physical, historical, and cultural implications.

Fugitive Zone at Galerie BAQ marks the artist’s first solo exhibition in the heart of Paris, declaratively claiming space for a burgeoning of the My Land project beyond its former boundaries.

Rather than a replacement, a drop of serenity showcases these filmmakers' practice when their minds are most at peace; their art, but in another dimension. The exhibition, without fear, emphasizes the significance of leisure, a concept that has almost become a rarity in the contemporary art world with its frequent art fairs and international exhibitions occurring back to back.

Tropical Hallucinations is a two-part exhibition presented in two different locations, much like two islands in an archipelago - the main geo-culture of Southeast Asia - geographically separate but still closely related.

Part of the POUSH "bureau des penseur.euses" (thinkers office) came together to imagine under the Coupole, There is no lonesome wave, a group exhibition on the subject of water, its currents and its properties, both literal and figurative.